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At Fusion 101, a Jazz/Rock Internet Radio Station, we bring you the best Jazz/Rock Fusion music from the Seventies, combining the energy of Rock music with the sophistication and improvisation found in Jazz, and the best of Art and Progressive Rock, drawing from jazz and classical elements to push beyond the standard Rock song structures.

We only play hand-picked songs from our extensive collection of worldwide 70s Jazz Rock Fusion and Progressive Rock artists like: Al Di Meola, Passport, Gong, Jean-Luc Ponty, The Soft Machine, Bill Bruford, Larry Coryell, King Crimson, Jan Akkerman and Focus, Fusion's original John McLaughlin and The Mahavishnu Orchestra, Allan Holdsworth, Chick Corea, Area, Jan Hammer, the amazing guitar of Jeff Beck, Brand X, Weather Report, Herbie Hancock, Stanley Clarke, Jaco Pastorius, The Dixie Dregs, awesome drummers like Billy Cobham, Narada Michael Walden, Lenny White, Tony Williams, and many more!

Listen to our Top Fusion 101 Songs here.

New Artists

Fusion 101 has been showcasing amazing new jazz-rock music from both independent and signed artists for a while now. Contact MusicMan@Fusion 101 to submit your music for inclusion in our regular programming.

 

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Featured Video

Al DiMeola, Jean Luc Ponty & Stanley Clarke - Indigo (Live At Montreux 1994)

Eagle Vision is delighted to be continuing the release of DVD's from the archives of the prestigious Montreux Jazz Festival. This Montreux concert from July 1994 brings together three of ...the great talents of jazz fusion. Stars in their own right, Al Di Meola (guitars) and Stanley Clarke (bass) had also previously played together in Chick Corea's Return To Forever while Jean-Luc Ponty (violin) had played with Frank Zappa and George Duke as well as carving out a successful solo career.The tracklisting draws on their individual work and also includes many tracks, such as Indigo, Renaissance, Song To John and Memory Canyon, that would feature on the trio's critically acclaimed The Rite Of Strings album, released the following year. That album went on to chart at No.4 in the US Jazz Chart.The second version of Song To John features a guest appearance by renowned Jamaican pianist Monty Alexander.

1994 Montreux Sounds

Montreux Sounds: https://www.montreuxsounds.com

LIVE AT MONTREUX – MONTREUX JAZZ ARCHIVES
This performance is part of the unique Claude Nobs Foundation audio-visual collection, included since 2013 in the UNESCO Memory of the World Register. From Aretha Franklin or Miles Davis to David Bowie or Prince, more than 5’000 concerts have been recorded LIVE both in audio and video since the creation of the Montreux Jazz Festival in 1967 by Claude Nobs.

MONTREUX JAZZ FESTIVAL WHERE LEGENDS ARE BORN
The Montreux Jazz Festival takes place for two weeks every summer in Switzerland, drawing 250,000 music lovers to the shores of Lake Geneva. Since 1967, the Festival has celebrated all genres of music and generated countless legendary performances. Artists who have graced the stage of Montreux include Aretha Franklin, David Bowie, Prince, Bob Dylan, Lauryn Hill, Kendrick Lamar, Leonard Cohen, Marvin Gaye, Miles Davis, Nina Simone and many more.

Official Websites:
https://www.claudenobsfoundation.com
https://www.montreuxsounds.com
http://www.montreuxjazzfestival.com

#MJF
#montreuxsounds
#claudenobsfoundation
#montreuxdigitalproject
#MontreuxJazzFestival
#MontreuxJazz
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Featured Album

Bill Bruford – Master Strokes

Personnel: Bill Bruford (spoken vocals, drums, cymbals, percussion); Jeff Berlin (vocals, bass); Sam Alder, Anthea Norman-Taylor (spoken vocals); Allan Holdsworth, John Clark (guitar); Patrick Moraz (piano); Dave Stewart (keyboards). Producers: Ron Malo, Robin Lumley, Patrick Moraz, Bill Bruford. This stunning collection represents the best of the solo excursions by master British drummer Bill Bruford. After his tenure with the seminal prog-rock group Yes and between various regroupings of King Crimson, Bruford has found time to maintain an impressive solo career, mostly in the jazz/rock fusion vein. As this collection demonstrates, Bruford is as musically sensitive as he is adventurous. The main thread that runs through these works is that, although Bruford certainly provides plenty of rhythmic intrigue with everything he plays, this is not necessarily drum-centric music. Instead, most tunes feature intense ensemble work dappled with spots of remarkable solo efforts. Also, sprinkled here and there are brief gems like Bruford's duets with pianist Patrick Moraz and his interpretation of Max Roach's "The Drum Also Waltzes" solo. Other worthy cuts include the opening "Hell's Bells," the energetic "Beelzebub," and the off-kilter "Fainting In Coils," which opens with a bizarre narration.
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