At Fusion 101, a Radionomy Jazz/Rock Internet Radio Station, we bring you the best Jazz/Rock Fusion music from the Seventies, combining the energy of Rock music with the sophistication and improvisation found in Jazz, and the best of Art and Progressive Rock, drawing from jazz and classical elements to push beyond the standard Rock song structures.

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We only play hand-picked songs from our extensive collection of worldwide 70s Jazz Rock Fusion and Progressive Rock artists like: Al Di Meola, Passport, Gong, Jean-Luc Ponty, The Soft Machine, Bill Bruford, Larry Coryell, King Crimson, Jan Akkerman and Focus, Fusion’s original John McLaughlin and The Mahavishnu Orchestra, Allan Holdsworth, Chick Corea, Area, Jan Hammer, the amazing guitar of Jeff Beck, Brand X, Weather Report, Herbie Hancock, Stanley Clarke, Jaco Pastorius, The Dixie Dregs, awesome drummers like Billy Cobham, Narada Michael Walden, Lenny White, Tony Williams, and many more!

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New Artists

Fusion 101 has been showcasing amazing new jazz-rock music from both independent and signed artists for a while now. You can hear these new artists Thursdays and Sundays between 16:30 and 17:30 EST.

Contact MusicMan@Fusion 101 to submit your music for inclusion in our ‘New Artist’ programming.

Featured Video

Jaco Pastorius Live Montreal 1982

Bass – Jaco Pastorius
Drums – Peter Erskine
Percussion – Don Alias
Saxophone – Bobby Mintzer
Steel Drums – Othello Molineaux
Trumpet – Randy Brecker

Featured Album

Raymond Gomez – Volume

When listening to Volume, it soon becomes evident that Ray Gomez gets more soul, more feel, and more tone, than any other guitar player on the planet. Add in impeccable placed notes with “Albert King-like” timing, the album represents guitar playing that is hard to beat. Something else that needs to be said, Ray “rocks”. He is very keen on the groove within a song. Besides blistering leads, Ray keeps funk and rock groove rhythm in his playing. One could listen to Blues for Mez or West Side Boogie and say, “Well, there’s killer blues being played, funk being played, and a steady rockin’ groove. In essence, Ray Gomez is nothing short of a powerhouse. He gets more out of a guitar than is almost humanly possible, yet he does not overplay. Ray has the uncanny ability to play exactly what is needed for a song, yet with innovation, feel, and soaring power. U.S.A. is actually my favorite song on the record. It also establishes another front — that Ray is a damn good song writer and composer. Volume is a hidden gem that needs to be rediscovered. It’s still relevant and fresh today as it was when first released. Charles Wilson
Recommended!

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