“Hand Made” by Passport is a captivating exploration into the realms of jazz fusion, interwoven with electronic flair and sumptuous saxophone melodies. Released in 1973, the album exhibits the brilliance of Klaus Doldinger on saxophone, with support from other talented musicians like Wolfgang Schmid on bass and Curt Cress on drums, who contribute to its intricate rhythmic foundation. This release is noted for its seamless blending of traditional jazz with modern electronic elements, which helped propel Passport to the forefront of the jazz fusion scene. While details on the album cover design for “Hand Made” are limited, the music itself stands as a testament to Passport’s innovative approach and their lasting impact on the fusion genre. Music enthusiasts often praise the album for its adventurous and progressive soundscapes, making it a must-listen for fans of the genre.
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Santana – Borboletta
Starting on the same birdsong and sheep herd landscapes than its inspiration (but written by jazz-rock great Airto Moreira), you just know you will be in for another superb Santana ride as right after the intro, the first few mid-eastern scales of Canto De Flores directly lead you to heaven. As usual with Santana albums, happiness radiates from every pore of the vinyl record groove and Life Is Anew and Give And Take (both sung and hyper positive) are some of the better sung jazz-rock (I am usually not really a fan of that "thing"), and the vocals do help setting its own feel as opposed to its inspiration. On a lesser level, One With The Sun, while still lovely, is maybe one sung-track too many in a row, but I might be just a bit over-nitpicky. Aspirations quickly repairs this slight flaw with its splendidly cosmic calmness. After the great Practice What You Preach instrumental, one more sung tracks (I must say that Leon Patillo's voice is quite pleasing) the excellent Mirage, the impressive Here and Now is quite a departure from what Santana had us used to and segues into the highly fusional Flor De Canela, before the
