The Brecker Brothers’ “Heavy Metal Be-Bop” is a dynamic fusion explosion epitomizing the electrifying blend of jazz and rock. The album showcases the incredible synergy of the Brecker siblings—Michael Brecker on tenor saxophone and Randy Brecker on trumpet—alongside their stellar lineup featuring guitarist Barry Finnerty, bassist Neil Jason, drummer Terry Bozzio, and tactful keyboard work by Mark Gray. Released in 1978, this live album was praised for its raw energy and intricate musicianship, capturing the essence of the Brecker Brothers’ legendary live performances. “Heavy Metal Be-Bop” was a pivotal release that pushed boundaries, setting a high bar for jazz fusion’s integration with rock elements, while remaining a beloved staple among fans of the genre.
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Rainbow Goblins Story by Masayoshi Takanaka 【虹伝説 / 高中正義】
【収録曲】
Prologue(曲じゃないけど)
Once Uppon A Song
Seven Goblins
The Sunset Valley
The Moon Rose
Soon
Thunder Storm
Rising Arch
Plumed Bird
You Can Never Come To This Place
【パーソネル】
Keys: 小林泉美・石川清澄
Bass: 田中章弘
Drms: 宮崎まさひろ
Perc: 菅原由紀・木村誠
Sax: 薩摩光二
Featured Album
Jeff Beck – With The Jan Hammer Group: Live
Third chapter in Beck's adventure in Jazz-rock land, this live album is probably his best (at least IMHO) and certainly an improvement of the preceding ultra-technical Wired and the too fusion-esque Blow By Blow. Indeed, this third try is probably the best suited to those searching for a conventional (but not boring) jazz-rock between Mahavishnu Orchestra and Weather Report, while remaining accessible and out of the clichés.With the opening Freeway Jam, with its car honking intro, is a complete stunner and much better than the BBB version (IMHO). The following Earth (Still Our Only Home) is a very funky jazz track sung (Eeehmmm!!) by Jan Hammer, but Beck's guitar shines brighter than a thousand suns. She's A Woman is turned to a semi-reggae, semi-funk thing with some guitar vo-coders ala Peter Frampton. Full Moon Boogie again dips into the guitar vo-coder and dipping into early 70's funk, The definitely more even and consistent flipside includes the spacey doubleshot Darkness/Earth (In Search Of A Sun), which has a very different feel with Hammer's spacey synth dominating most of the track: we are hovering between Nektar/Eloy, Tangerine Dream and Dixie Dregs territory at times. A real pleasure of a mixture and a
