Jeff Beck – Wired
Buy on Amazon Released in 1976, Jeff Beck’s Wired contains some of the best jazz-rock fusion of the period. Wired is generally more muscular, albeit less-unique than its predecessor, Blow by Blow. Joining keyboardist Max Middleton, drummer Richard Bailey, and...
Return to Forever – Romantic Warrior
Originally released in 1976, Return To Forever’s Romantic Warrior could be described as the high-water mark of jazz fusion’s commercial popularity, reaching a spot on the Billboard charts and garnering the group a fanatical following of fans attracted to...
Bill Bruford – Master Strokes
Personnel: Bill Bruford (spoken vocals, drums, cymbals, percussion); Jeff Berlin (vocals, bass); Sam Alder, Anthea Norman-Taylor (spoken vocals); Allan Holdsworth, John Clark (guitar); Patrick Moraz (piano); Dave Stewart (keyboards). Producers: Ron Malo, Robin Lumley,...
Gong – Expresso!
Gazeuse! was the first in a successful line of strictly jazz-rock sessions for percussionist Pierre Moerlen and company — compositions that stressed jazz more than rock and which generally strayed away from lyrical content. This 1976 recording, also released under...Featured Album
Bill Bruford – Master Strokes
Personnel: Bill Bruford (spoken vocals, drums, cymbals, percussion); Jeff Berlin (vocals, bass); Sam Alder, Anthea Norman-Taylor (spoken vocals); Allan Holdsworth, John Clark (guitar); Patrick Moraz (piano); Dave Stewart (keyboards). Producers: Ron Malo, Robin Lumley, Patrick Moraz, Bill Bruford. This stunning collection represents the best of the solo excursions by master British drummer Bill Bruford. After his tenure with the seminal prog-rock group Yes and between various regroupings of King Crimson, Bruford has found time to maintain an impressive solo career, mostly in the jazz/rock fusion vein. As this collection demonstrates, Bruford is as musically sensitive as he is adventurous. The main thread that runs through these works is that, although Bruford certainly provides plenty of rhythmic intrigue with everything he plays, this is not necessarily drum-centric music. Instead, most tunes feature intense ensemble work dappled with spots of remarkable solo efforts. Also, sprinkled here and there are brief gems like Bruford's duets with pianist Patrick Moraz and his interpretation of Max Roach's "The Drum Also Waltzes" solo. Other worthy cuts include the opening "Hell's Bells," the energetic "Beelzebub," and the off-kilter "Fainting In Coils," which opens with a bizarre narration.